12/12/2023 0 Comments Kon trubkovich wall fragment 3I imagine my words rubbing against the materials of every single artwork I read. It means to be in conversation, to share a lineage, to touch each other. To engage with the work of another, whether to praise or critique, is inherently a form of generosity. This simple thought resonates with me not only as a writer, but as a writer who often writes about other people’s work. “I write because I have read,” she states, quoting Barthes, reminding her reader that creativity does not exist in a vacuum. In her beautiful book on the art of translation, Kate Briggs offers a compelling reason for a writer’s desire to write. Courtesy Gordon Robichaux NY and Morán Morán, Los Angeles. 16 mm color film transferred to HD video, Duration: 11:25 minutes. Previously, he has exhibited at United Artists, Ltd., Marfa, Texas (solo, 2014) Palacio das Artes, Porto, Portugal (group, 2014) the Museum of Contemporary Art, Chicago, Illinois (group, 2013) and MoMA PS1, Long Island City, New York (solo, 2006).Ĭourtesy of the artist and Marianne Boesky Gallery, New York.Eve Fowler, Florence Derive, 2023. In 2015, Trubkovich had solo exhibitions at the Josyln Museum of Art, Omaha, and at Moran Bondaroff Gallery, Los Angeles. 1979, Moscow, Russia) lives and work in Brooklyn, New York. There’s an inclusive, free-form quality to them that encapsulates how our minds process experience to shape who we are.” “The new paintings bring together these fragments. Others we willingly conjure or invent based on conversations, photos, family narratives,” said Trubkovich. It seems to me that we are nothing without our memories, yet the passage of time, our photo and video archives, our subsequent experiences alter our memories into personal inventions far from any objective truth. “This work deals with memory as a medium. With his new work, Trubkovich examines how the memory and experience of a moment can be altered in our own minds. In that series the artist dislocated the 24 frames that make up a single second of footage from their greater context, capturing and amplifying a specific and deeply meaningful moment for the artist and the global consciousness. represents a new area of exploration for Trubkovich, who is best known for his series of Mama and Ronnie portraits. The layering of such elements in vividly contrasting hues results in the creation of luminescent portraits and interior scenes. The works in the show are connected by these common threads, but take the viewer into distinctly different directions, eliciting a range of emotions. A Soviet wallpaper print, an individual’s facial expression, a women-only dinner party, or an uncertain recollection of a white fence are brought together into new wholes on the canvas, blurring the boundaries between the real and imaginary. is Trubkovich’s fourth solo exhibition since joining the gallery in 2006.įragments drawn from the artist’s memory and a collection of home movies made by a family friend serve as the basis and inspiration for new visual narratives. The exhibition draws its name from a time stamp featured in one of the largescale canvases and underscores the idea of a memory captured on film. This new body of work explores the construct of memory: the pieces remembered, obscured, imagined, and reconstructed and that together capture the essence of an event, a conversation, or a moment. is an exhibition of new paintings by Brooklyn-based artist Kon Trubkovich.
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